1910, Schipa debut in Vercelli, who plays Verdi

CCTV apology should override Tito Schipa is one half of the famous Big Three Tenors this century, opera connoisseurs given the tenor Enrico modular room Caruso throne, giving number two Rafael Yami Nuo Giri, Schipa is ranked third.
Schipa (Tito Schipa, 1888-1965 years), born in 1890 in Italy Recchi grip, grew up with a beautiful voice and a keen sense of childish fun. According to his own recalls, when he was two years old, with his mother to the central square of Lecce, when there is a brass band festival in celebration of what the state is playing. After listening to about half a minute, Schipa modular room can very accurately with a small hand flapping rhythm; a little later, when he and his mother modular room went to a local theater to watch Auber's opera "magician", back home, he will be able to standing in front of the mirror, imitating the play maid aria, singing the lyrics and melody. modular room
1910, Schipa debut in Vercelli, who plays Verdi's famous opera "La Traviata" in Alfred. Thereafter all the famous La Scala Opera House and the Italian was Jibei recognized as the most outstanding lyric tenor. In 1919, he began singing opera in Chicago, modular room in 1932 aboard the famous New York Metropolitan Opera stage. His repertoire is basically good Italian operas lightweight, soft lyrical roles, including some of Mozart's works, such as "Love glycol," "concubine", "La Boheme," "Tosca" "child", "Mignon," "La Traviata," "Manon", "Don sulfur" and so on.
Schipa very unique singing, his beautiful voice, soft, sweet, but not outstanding; the intensity and range of sound seemed thin, but he used very well, breath support by trained singing make big spread every corner of the theater; sounds pure and moving, sometimes slightly hazy, very suitable for the performance of gentle, Wyse or sad mood. His articulation is very expressive, so it can give the impression that the sound was beautiful, but still lose the feeling loud; he never sang treble C, but B sing freely down his plump, people modular room think he's Sound is not surprising modular room that even sing higher, in fact, drop B is the limit of his range. In addition, Schipa handle modular room very particular phrase, which makes him a high juvenile fun singing with easy tips and sincere feelings. Pavarotti modular room once said: "Objectively speaking, the nature of Schipa's voice is not very satisfactory, but he is a great singer, because he has superior syntactic processing of music, this is a little more than others . Factors important times, "Domingo said:" For Schipa, I most admired his every phrase are handled so delicate. "
The famous Italian musicologist Rieti in the preface Schipa memoirs wrote: "The modular room singer in Italy, played a major role in the history of opera, he influenced the taste of the audience, the theater's repertoire, but also affect their tenor colleagues ... ... bel canto (bel Canto) not only did not die, now also won the nuanced performances and psychological scored on an unprecedented impact Schipa in this area is huge. still in the 1920s, He has refused modular room to sound trite but ahead of the needs of the audience, he was a better way of simple vocal music, lyrics carefully treat known ... ... bel canto, which is an inherently incompatible with certain physical tension singing, Schipa it ideal representative. "
In addition to the opera singer, Tito Schipa or songs of Naples, Italy's most outstanding diagnostic interpretation, he recorded modular room a large number of Naples album sales enduring songs, ripping every publication, have been snapped up immediately an empty, which in Italy is the leading tenor. According to Mrs. Caruso recalled, Caruso from the theater to listen to any one of less than a tenor solo show, except once went to hear the songs solo concert Schipa of Naples, although halfway to leave, but Cummings said the place is still superior Arequipa Naples song indeed. "My Sun" is his forte, although the volume modular room is not his, but his rigorous and superb skill of the art to make the song his very nature to express feelings, he would never sing it like now some tenor so glib. Italian tenor he can stand out more than 400 was not easy. Schipa later years settled in the United States, December 16, 1965, died. Italy and the world as a milestone in vocal culture, Schipa name is immortal. Tito Schipa's voice a lot of information, but in the selections of the audiovisual market is just a record, is one of the favorite tenor singing the name of album art fans necessarily deliberately forced homing. This CD selected into the Schipa sang Bellini, Donizetti, Verdi and Puccini, who works in the famous opera arias. Schipa style sweet and gentle, this edition of selected Bellini "La Sonnambula" selections extremely stretch and smooth. He sang "steal spill a tear" (from Donizetti's "Love glycol") is the most expensive recording, pure skill, easily controlled smooth the whole song, correct, epitomizes the "bel canto" essence. "Cold hands" ("La Boheme" from Puccini's), is a "natural singing" model, just speak the same kind of euphemism, the treble a bit of a "Young" to sing up, and did not recognize the transition traces, showing his skills modular room are including but not exposed. Currently in China's domestic fans in possession of this piece are rare.
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